Sunday, 7 June 2009

Shot 54 Animation

Over the past couple of weeks we discussed alot of new ideas to make the ending more effective and to signify that the Prisoner's weren't intentionally leaving the Bandit behind. Now we have cut together the order of the shots better to make the Bandit's dash for escape seem more plausible and also so that the relationship between the Bandit and Cons is not bitter. Now when the Bandit awakes, he sees the Con going between the train carriages to remove the pin in a POV shot. This causes him to dash. Above is a playblast of that POV shot.

We then go into a sequence of shots where the Con removes the pin and the Bandit desperately holds out an arm and as the Con tries to help him it results in the carriages pulling apart and the Cons getting away and giving up on the unfortunate Bandit.

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